In the centerpiece of this issue, Jorge Luis Borges described imaginary people in literature and mythology (illustrated by Mantel). Smith confounded biology with his humanimal creatures. Chwast contributed his Arcimboldo-inspired pasta chart. And his novelty typeface, Blimp, was transformed and renamed ʻBestial Boldʼ in honor of this timeless theme.”
Started by Push Pin Studios as a freeform publication sent to friends and clients in 1957, the experimental and groundbreaking Push Pin Graphic, quickly developed a dedicated following, eventually running for 23 years and 86 issues. Changing to a 32-page bimonthly in 1976, and continuing publication until 1980
Art directed and designed by Chwast, the featured articles and fiction edited by Ken Robbins supported the theme for each issue. Illustrations by Chwast, as well as the work of other award-winning illustrators represented by Push Pin, also appeared in every Graphic
